In addition, Kirk Varnedoe, director, and Kynaston McShine in the de partment of painting and Clive Philpot, the librarian, have been unfail ingly helpful. The backing of William Rubin, director emeritus of the museum and most assiduous of Picasso scholars, has been especially heartening. Gratitude also to my friends at the Museum of Modern Art for their co operation. In supplying photographs, untiring efforts to satisfy the needs of the book were made by Maria Teresa Ocana, the director, and Margarita Ferrer at the Museu Picasso, Barcelona, Mont serrat Blanch at the Arxiu Mas and Caroline de Lambertye at the Réunion des Musées Nationaux, Paris. The librarian, François Chapon, and staff of the Bibliothèque Littéraire Jacques Doucet have likewise been of great service. I am enormously indebted to Dominique Bozo, the first curator-in charge of the Musée Picasso, who was unfailingly supportive to his suc cessors, Pierre Georgel and Gérard Régnier to Marie-Laure BesnardBernadac for scholarly assistance of inestimable value also to Brigitte Léal, Laurence Berthon-Marceillac, Christine Piot, Michèle Richet and Hélène Seckel, for solving any number of problems. Thanks, also, to the artist’s children: Claude and Paloma and her husband, Rafael Lopez Sanchez to his daughter-in-law, Christine Picasso to his nephew, Javier Vilatô to his family in Malaga, Manuel Blasco and Ricardo Huelin and to Jacqueline’s daughter, Catherine Hutin-Blay, for all their help. So long as Pablo Picasso and his wife, Jacqueline, were alive, they gave me every encouragement in this project. Barcelona, 1899Charcoal on paper, 47x53.2cm. Manufactured in the United States of America 98765432įrontispiece: Picasso. P5R56 1991 709’-2-dc20 89-42915ĭesigned and typeset by Michael Raebum/KY Books & Art Illustrations reproduced by 4most Colour Ltd. Library of Congress Cataloging-in-Publication Data Richardson, John A life of Picasso / John Richardson p. Owing to limitations of space, all acknowledgments of permission to reprint previously published material and to use illustrations will be found following the index. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. SPADEM All rights reserved under International and Pan-American Copyright Conventions. Illustrations of works by Picasso copyright © 1991 ARS N.Y. I’m not interested in boxing myself into one genre.Copyright © 1991 by John Richardson Fine Arts Ltd. And in my opinion, there’s so much beautiful material out there to explore.
“Music should be divided into two slices with a line in the middle: good music and bad music. After that, I took a break and then I was listening to King Crimson’s Discipline. Then I was working with files sent from Sly And Robbie for a future project. This morning after I woke up, I started my day listening to music by Erik Satie.
#Musi gaudi radi full
“I love music, full stop, and I follow my instinct wherever it goes. I want that energy and interaction that comes from working together.”Ĭreativity is all about the challenge, he says, pushing where the inspiration takes you, rather than worrying about where fans might expect or want you to go. After 10 years of solo gigging around the world, I really wanted a band to play the music from Magnetic. I’d been working separately with drummer Nikolaj Bjerre and guitarist Pippo de Palma, and now we’ve added Colin Edwin on bass.
“When you bring together people who don’t know each other, it’s not obvious that it’ll make for great music.
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